Winter's Bone, which the Third Day Book Club read this month, is perfectly titled. The world portrayed so starkly here is stripped, hard, and cold. In a strange way, it reminded me of Cormac McCarthy's post-apocalyptic novel,
The Road. Civilization, as we know it, isn't much in evidence in the landscape where Ree Dolly "sixteen years old...with abrupt green eyes" finds herself. As a member of a fractious and savage clan, she has never known anything else. And yet, Woodrell succeeds in making us feel her longing for more. For better.
When the novel, opens Ree stands in the doorway of her home, looking at the meat that hangs from trees. It's a visceral image of the family hunger that drives her throughout the novel. Left to care for her two brothers and her mentally ill mother, she can never forget how close they are to "living in the field like dogs." She fears that her little brothers will be "dead to wonder by the age of 12." The only escape she can imagine for herself is to join the army.
Like countless fictional heroes and heroines before her, Ree undertakes a journey that leads her both deeper into the harsh reality that surrounds her and deeper into herself. If it weren't for the fierce courage and fragile hope that self contains, Ree's life, and
Winter's Bone would be utterly without redemption--and for this reader, at least, nearly unreadable.
But despite Ree's strength, deliverance of any kind for Ree and her family isn't likely. Her journey is described this way:
"She became ice as she walked. White wads broke on her head and dripped to her shoulders to freeze and thicken. The green hood had become an ice hat and her shoulders a hard cold yoke."
In prose that is spare, laconic and darkly poetic, Woodrell leads Ree through a mystery that grows with every step she takes. Ree has left home to search for her father, who "cooks crank" and who has imperiled the family by posting their home as bail. With every harsh encounter, the sense of menace--and the suspense--grows.
I cannot say I enjoyed this novel. But
Winter's Bone was clearly not fashioned to be enjoyed; it was fashioned to haunt. With its taut plotline, its unswerving adherence to its own savage truth, and its remarkable heroine, it has succeeded at that.
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If everyone who's read this month's selection hasn't done so, hie thee hence to
Paris Parfait's blog and post your link!
Meanwhile, I'm looking for a volunteer to host next month's meeting on January 3rd. Someone? Anyone?